We are able to offer the sale of books by and about Krzysztof Wodiczko through our partnership with Indie Bound, which connects you with sellers from Independent Bookstores across the country. Purchasing these works at a reasonable price helps support local bookstores, while a portion of the proceeds will go towards the production of this film.
Krzysztof Wodiczko
Books by and about Krzysztof Wodiczko
Krzysztof Wodiczko
February 1, 2010 12:00 AM
Text by Ewa Lajer-Burcharth, John Rajchman, Bozena Czubak, Anna Muszynska, Krzysztof Wodiczko.
The Abolition of War
July 1, 2012 12:00 AM
The Abolition of War explores the ideas that inform Krzysztof Wodiczko’s project The World Institute for the Abolition of War and is a manifesto for the dismantling of what Wodiczko sees as the ubiquitous, unconscious, and ultimately perilous "Culture of War”, which is embedded within and constantly reaffirmed by our monuments and our historical narratives. In this volume Wodiczko, winner of the Hiroshima Art Prize in 1998, offers a detailed examination of his proposal for The World Institute for the Abolition of War, a projected ?Un-War Memorial” constructed as a structure encapsulating the existing Arc de Triomphe in Paris. Wodiczko is joined by anthropologist Douglas Fry to shed light on the silent but deeply rooted ideologies of war, which permeate our contemporary societies, fuelling current acts of aggression and threatening to erupt into further warfare. Fry’s essay ?Abolition of War: An Agenda for Survival” contradicts the generally held assumption that war is an inevitable aspect of human life, and posits new models of global interdependency as the necessary step towards viable peace.
Krzysztof Wodiczko
April 1, 2011 12:00 AM
Krzysztof Wodiczko’s artistic projects stage a dynamic and vivid encounter between aesthetics, ethics and technology. For almost 40 years, the artist’s powerful and extensive body of work has deployed contemporary technologies to engage with the problematics of alterity, social responsibility and urban experience. Believing that ?public art’ should perform an ethical interruption of existing social processes and their ideological underpinnings, Wodiczko’s critical interventions in the urban environment have addressed issues of urban violence, homelessness, alienation and wartime trauma. Since the 1980s, he has produced large-scale slide and video projections, transforming the facades of official buildings and historical monuments into temporary spaces for critical reflection and public protest. The Public Projections series include: The Grand Army Plaza Memorial Arch, Brooklyn, NY (1983), The Hirshhorn Museum, Washington D.C. (1988), The Whitney Museum of American Art, New York (1989), Bunker Hill Monument, Boston (1998), A-Bomb Dome, Hiroshima (1999) and El Centro Cultural, Tijuana, Mexico (2001). By nature, Wodiczko’s work is often controversial and the book looks at his development of a series of nomadic instruments for both homeless and immigrant operators that function as implements for survival, communication, empowerment, and healing. The Homeless Vehicle project in New York City, equips nomadic ?evicts’ with tools for self-articulation, whilst the elaborate Xenology instruments are designed to empower the ?immigrant’ by providing access to speech and figuration in the public realm. Like much of his work, his interrogative designs and portable instruments are animated by a desire to bring the socially opaque into the public sphere of appearances, to restore voice and visibility to those rendered mute within the parameters of the public domain. Krzysztof Wodiczko is the first full-scale study of the artist’s work, its ethico-political imperatives, and the diverse interpretive lenses which accompany its theorization. Developed in close collaboration with the artist, and bringing together an array of essays by leading scholars from a variety of disciplines, the book represents the most significant and sustained engagement with the artist’s practice to date.
City of Refuge
August 1, 2009 12:00 AM
Polish Artists
September 1, 2013 12:00 AM
Krzysztof Wodiczko
Books by and about Krzysztof Wodiczko
Krzysztof Wodiczko
February 1, 2010 12:00 AM
Text by Ewa Lajer-Burcharth, John Rajchman, Bozena Czubak, Anna Muszynska, Krzysztof Wodiczko.
The Abolition of War
July 1, 2012 12:00 AM
The Abolition of War explores the ideas that inform Krzysztof Wodiczko’s project The World Institute for the Abolition of War and is a manifesto for the dismantling of what Wodiczko sees as the ubiquitous, unconscious, and ultimately perilous "Culture of War”, which is embedded within and constantly reaffirmed by our monuments and our historical narratives. In this volume Wodiczko, winner of the Hiroshima Art Prize in 1998, offers a detailed examination of his proposal for The World Institute for the Abolition of War, a projected ?Un-War Memorial” constructed as a structure encapsulating the existing Arc de Triomphe in Paris. Wodiczko is joined by anthropologist Douglas Fry to shed light on the silent but deeply rooted ideologies of war, which permeate our contemporary societies, fuelling current acts of aggression and threatening to erupt into further warfare. Fry’s essay ?Abolition of War: An Agenda for Survival” contradicts the generally held assumption that war is an inevitable aspect of human life, and posits new models of global interdependency as the necessary step towards viable peace.
Krzysztof Wodiczko
April 1, 2011 12:00 AM
Krzysztof Wodiczko’s artistic projects stage a dynamic and vivid encounter between aesthetics, ethics and technology. For almost 40 years, the artist’s powerful and extensive body of work has deployed contemporary technologies to engage with the problematics of alterity, social responsibility and urban experience. Believing that ?public art’ should perform an ethical interruption of existing social processes and their ideological underpinnings, Wodiczko’s critical interventions in the urban environment have addressed issues of urban violence, homelessness, alienation and wartime trauma. Since the 1980s, he has produced large-scale slide and video projections, transforming the facades of official buildings and historical monuments into temporary spaces for critical reflection and public protest. The Public Projections series include: The Grand Army Plaza Memorial Arch, Brooklyn, NY (1983), The Hirshhorn Museum, Washington D.C. (1988), The Whitney Museum of American Art, New York (1989), Bunker Hill Monument, Boston (1998), A-Bomb Dome, Hiroshima (1999) and El Centro Cultural, Tijuana, Mexico (2001). By nature, Wodiczko’s work is often controversial and the book looks at his development of a series of nomadic instruments for both homeless and immigrant operators that function as implements for survival, communication, empowerment, and healing. The Homeless Vehicle project in New York City, equips nomadic ?evicts’ with tools for self-articulation, whilst the elaborate Xenology instruments are designed to empower the ?immigrant’ by providing access to speech and figuration in the public realm. Like much of his work, his interrogative designs and portable instruments are animated by a desire to bring the socially opaque into the public sphere of appearances, to restore voice and visibility to those rendered mute within the parameters of the public domain. Krzysztof Wodiczko is the first full-scale study of the artist’s work, its ethico-political imperatives, and the diverse interpretive lenses which accompany its theorization. Developed in close collaboration with the artist, and bringing together an array of essays by leading scholars from a variety of disciplines, the book represents the most significant and sustained engagement with the artist’s practice to date.
City of Refuge
August 1, 2009 12:00 AM
Polish Artists
September 1, 2013 12:00 AM